The Art and Science of Bonsai

Bonsai, the Japanese art of growing miniature trees in small containers, is also a science. The term bonsai aptly describes what it is – “bon” means tray or low-sided pot and “sai” means plantings. I gave some examples of bonsai (and a related Chinese form called penjing) in a previous post. Ironically, while bonsai is emblematically Japanese, the art was originally developed in China and only adopted later by the land of the rising sun. Here’s a quick reminder of one kind of bonsai tree:

Bonsai

The art of bonsai cultivation is passed down from generation to generation. And since managing a single tree may take many decades or even hundreds of years, the tree itself passes through many generations. The oldest one in the US National Arboretum remains vibrant today at 389 years old. So how does one cultivate a bonsai tree? That is where the science comes in.

Since these plantings come from regular trees, they must begin as cuttings or seedlings. Regular trimming, pruning, and manipulation is necessary to keep the trees small and create the desired shape. While the type of tree chosen influences the potential shape, there are different styles ranging from formal or informal upright, slant, or cascade, as well as more advanced styles such as root over rock, forest, raft, and windswept. Examples are shown in my previous post. To get these shapes there is quite a bit of physical manipulation.

Bonsai

Bands like the one above help pull together larger boughs, while heavy copper wire is used to direct future growth into twists and turns.

Bonsai

More wires and struts help in the shaping.

Bonsai

More advanced techniques include grafting of new plant material into existing trunks (to create side growth), defoliation, trimming, and the brutish-sounding trunk chopping. Considering the amount of manipulation needed to create these masterpieces, one has to reassure themselves that plants, unlike animals, don’t experience pain.

Bonsai

Ah, the tea bags. Many of the bonsai and penjing displays contain several tea bags. They are filled with natural fertilizer. Each time the tree is hand-watered the bags become soaked and leach out nutrients. Still, because the trays are so shallow and the trees are living organisms, regular repotting of the minimal soil must occur.

The incredible amount of attention needed to train and maintain bonsai trees requires patience, effort, and ingenuity from the grower. But to those of us who see and appreciate the art, these works deliver a sense of serenity that pervades the very essence of our souls.

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David J. Kent is the author of Lincoln: The Man Who Saved America, available now. His previous books include Tesla: The Wizard of Electricity and Edison: The Inventor of the Modern World (both Fall River Press). He has also written two e-books: Nikola Tesla: Renewable Energy Ahead of Its Time and Abraham Lincoln and Nikola Tesla: Connected by Fate.

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Bonsai and Penjing – Little Bits of Japan and China Alive in Washington DC

Cherry blossoms gifted from Japan aren’t the only link to Asia in Washington DC. From the famed tidal basin head northeast and you’ll eventually reach a glorious spot nuzzled into an otherwise urban New York Avenue – the U.S. National Arboretum. Yes, there is a National Arboretum. And one of its greatest treasures is the National Bonsai and Penjing Museum.

National Bonsai and Penjing Musuem

An offshoot of the US Department of Agriculture (which, incidentally, was started by Abraham Lincoln in 1862), the Arboretum features living exhibits spanning the familiar dogwoods and azaleas to the practical herb gardens to the more exotic Asian collection. They even have 22 sandstone Corinthian columns that once stood at the east portico of the U.S. Capitol. But by far the most captivating are the bonsai trees and penjing art.

Japanese White Pine

Bonsai is the Japanese art of sculpture using living trees. Each tree is painstakingly managed over many decades and even centuries to limit its size and sculpt its shape. The oldest tree in the museum is the Japanese White Pine in the photo above. It has been in training since 1625, which means that many generations have dedicated thousands of hours to this one tree. How do they sculpt the tree? I’ll talk more about the science of bonsai in a future post. Suffice to say it takes a lot of patience.

Many of the trees in the collection are White, Black, or Japanese Pine, or Junipers. These evergreen conifers lend themselves to being handled and managed. Some of the most beautiful are this California Juniper:

California Juniper

And this Chinese Juniper:

Chinese Juniper

But non-evergreens can also created, like this Japanese Maple:

Japanese Maple

Even trees that we know for their extraordinary size can be kept small by a dedicated bonsai artist. Take, for example, this Coastal Redwood tree:

Coastal Redwood

All of the above would be considered Japanese bonsai. The museum also has a several examples of the Chinese art of penjing. Like bonsai, penjing uses carefully managed miniature trees. But penjing places these trees in the context of a miniature landscape.

Lijiang River in Spring

 

Roots may be “draped dramatically” over rocks. Rocks may also become the focal point of the work, with the trees acting as highlights. In some cases miniature ceramic figures are included to create a “natural” scene on a tiny scale. The effect can indeed be dramatic.

Penjing with Chinese Elm and figures

 

I’ll end this post here but plan to come back for more insights into the fine art of bonsai and penjing. Getting these small trees into the preferred shape (including dragons!) takes some significant, some might even argue tortuous, mechanical manipulation. The public rarely sees the science behind the art. I’ll show it to you.

Meanwhile, check out my Goodreads author page. While you’re at it, “Like” my Facebook author page for more updates!

David J. Kent is the author of Lincoln: The Man Who Saved America, scheduled for release in summer 2017. His previous books include Tesla: The Wizard of Electricity and Edison: The Inventor of the Modern World (both Fall River Press). He has also written two e-books: Nikola Tesla: Renewable Energy Ahead of Its Time and Abraham Lincoln and Nikola Tesla: Connected by Fate.

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The Great Wall of China and Mount St. Helens – A note about the header photos

I’ve been asked whether I took the photos you see in the header.  The answer is yes.

As of this writing there are several photos that alternate in the header as you click through the various pages.  I’ll write separate posts on each of these as this site develops – including showing the full photo (they had to be cropped to fit the header size). Click on the photo title to get to posts that have already been written. Here’s a quick synopsis:

The Great Wall of China: Taken on film in December 2000 on my first trip to Beijing, China.  The day was freezing. Actually, below freezing.  In fact, 5 degrees F.  But the experience was something that I couldn’t get out of my mind even if I wanted to (which I don’t).

Mount St. Helens: A special access visit to the Park Service location in Washington State as part of a scientific conference. You can see where the side of the mountain blew out in 1980. The hot vapors you see are from new volcanic activity occurring while I was there in November 2004.

Palau de les Arts and L’hemisferic: Two of the amazing modern buildings in the ancient city of Valencia, Spain. Taken in 2008, they are part of the “City of Arts and Sciences” that also includes a world famous aquarium. As with the other photos, the original is even more impressive because there is a reflecting pool in the foreground.

Sunset in Fairfax: A spectacular sunset I encountered by chance one day upon arriving home from work.  The photo is shot from my back deck and the moment was gone within a minute after taking it.  The jet contrails add some intrigue to the reddest sky I have ever seen.

Stonehenge: The famous archeological site about two hours west of London. Seems they still can’t figure out for sure what its purpose was, but that doesn’t stop everyone from guessing – everything from a celestial clock to a sign that we once had alien visitors. It’s actually pretty cool for a bunch of big stones.

Gondolas: The photo was taken near Piazza San Marco – St. Mark’s Plaza – in Venice during a beautiful late summer day. The Church of San Giorgio Maggiore can be seen in the background.

El Teide: The third largest volcano in the world, El Teide sits on Tenerife, the largest island of the seven Canary Islands. This was taken Christmas day. At the base it was hot as the tropics; at the peak it was below freezing and snow covered.

Perito Moreno Glacier: Perito Moreno is in southern Patagonia, Argentina. I went there in February (their summer) to visit and travel with a long-time friend from my days in Bermuda. The site truly is breathtaking.

James Joyce: The photo that accompanies this post is a detail of the James Joyce statue taken in downtown Dublin, Ireland in 2010. This photo plays an important role in my “Adventures in Europe” photobook.

The book Stack: This photo shows a stack of my published books through September of 2016, including the two Fall River Press books, the two e-books, and the photo book. It will be replaced with each new book that joins the stack.

More about me.