Barack and Michelle Obama at the Portrait Gallery

Barach Obama portrait galleryYesterday I visited the Portrait Gallery in Washington, D.C. The Gallery shares a building (once the Patent Office) with the Smithsonian American Art Museum but because it sits several blocks off the National Mall it is often overlooked by tourists and locals alike. That’s a shame because the two museums house some of the most important and relevant art to our times.

My main focus was the “America’s Presidents” section where they display the official portraits from Washington to Obama. Most paintings are traditional, with dark tones and stoic poses. That is until you get to John F. Kennedy, whose painting is more abstract and modern (especially for 1963).

John F. Kennedy portrait gallery

Presidents Carter and Reagan start a more relaxed, but still fully suited up, set of portraits. George H.W. Bush is more austere, but George W. Bush sits tie-less in a more comfortable, homey setting. Bill Clinton is the most unique (okay, bizarre) with his official portrait, which is constructed as a mosaic of small squares with colorful inserts. Looked at from a distance it immediately looks different from the other portraits; up close it is positively peculiar.

But the most interesting was that of President Barack Obama. African-American artist Kehinde Wiley was chosen specifically for his cultural influence. Obama sits tie-less in a classical hardback chair partially embedded in a sea of leaves and flowers. The flowers have personal significance to Obama – chrysanthemums are the official flower of Chicago, the jasmine evokes Hawaii, and the African blue lilies refer to his Kenyan father. The effect is startling, which partially explains why his portrait attracted the largest crowds in the gallery.

From the presidents gallery I moved upstairs to the “Twentieth-Century Americans” hall that holds First Lady Michelle Obama’s official portrait. Michelle selected Amy Sherald, another African-American artist, whose unique style brings out Michelle’s blend of confidence and approachability. As with her husband, Michelle’s portrait was the star of the room.

Also in the “Twentieth-Century Americans” gallery were several other portraits of contemporaries one might not expect to see in a national gallery, including rapper/actor LL Cool J, Vietnam Wall creator Maya Lin (as a 3-D printed mini-statue), and to my surprise, ecologist E.O Wilson, an icon in my scientific field.

There is much more to see in the Portrait Gallery and the Smithsonian American Art Museum, so next time you’re in Washington, DC, pull yourself off the Mall and have a visit. Not far away are also the Spy Museum, Madame Tussaud’s wax museum, and Ford’s Theatre (where Lincoln was shot). All are worth a visit but so often missed by visitors who don’t stray far from the strip of Smithsonian museums between the Capitol and Washington Monument.

David J. Kent is an avid science traveler and the author of Lincoln: The Man Who Saved America, in Barnes and Noble stores now. His previous books include Tesla: The Wizard of Electricity (2013) and Edison: The Inventor of the Modern World (2016) and two e-books: Nikola Tesla: Renewable Energy Ahead of Its Time and Abraham Lincoln and Nikola Tesla: Connected by Fate.

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Dublin, Ireland…Molly Malone…and a Man in a Donkey Head

Top o’ the mornin’ to ya. By now everyone should have recovered from St. Paddy’s day.  Even President Obama downed a Guinness with his ancestral Irish cousin in Washington DC.  The “effects” of celebrating old St. Patrick should have worn off by now (right?) and we’re all gearing up for going back to work in the morning.

Which gets me to the man in the donkey head.  In Dublin.  As in Ireland.

Whilst in Dublin I first set my eyes on sweet Molly Malone as she wheeled her wheel-barrow, through streets broad and narrow, crying “cockles and mussels, alive, alive, oh.”* At first she seemed sweet, saccharine even, as she stood there nicely bronzed in the sun selling shellfish by the seashore.  We exchanged glances, smiles, and embarrassments before I moved on to check out the city.  My hotel was nearby so the next day I couldn’t resist her allure and was drawn to check out her massive cockles.  Only to find that she was being guarded by a man acting like an ass.

Or perhaps it was a donkey.  Needless to say it was a rather unexpected event to see a man wearing a donkey head sitting by my dear Molly.  Reading the Leopardstown Post racing news.  Seriously, who would have expected to see that?  Everyone knows that donkeys don’t like horse racing.

But here he was for all to see.  The man with the donkey head didn’t speak (I suppose donkeys rarely do), nor did he perform anything other than simply sit there for the entire time we stood by to watch and to snap photos.  Many others took photos as well and for a donkey-headed man he seemed quite patient to allow all of us to get our fill.

From here we moved on to explore Dublin.  But I’ll always remember Molly Malone.  And the man in the donkey head.

* From the song that inspired the legend that inspired the statue on Grafton Street, Dublin.

[Note that the Molly Malone statue has been moved from its original location on Grafton Street to a spot in front of St. Andrew’s Church.]

David J. Kent is the author of Tesla: The Wizard of Electricity and Edison: The Inventor of the Modern World (both Fall River Press). He has also written two e-books: Nikola Tesla: Renewable Energy Ahead of Its Time and Abraham Lincoln and Nikola Tesla: Connected by Fate. His next book, Lincoln: The Man Who Saved America, is scheduled for release in summer 2017.

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